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Monday, June 28, 2004
n00bs!
A group of CPID students is starting the Communication Design Fundamentals class today. I remember that first day of school (and the night before) very vividly.
posted at 10:16 AM in
classmates, cpid program
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Tuesday, January 20, 2004
Design Seminar, Part Deux
This semester, Design Seminar breaks into two sections: one for interaction design, and one for communication planning and information design. The CPID seminar is (reportedly) all about narrative in design, while the ID seminar is all about current issues in interaction design. Issues like: - How do we promote this discipline?
- Is all communication design really interaction design?
- What are appropriate design research methodologies?
- How do you turn data into an actionable outcome?
- How does design relate to anthropology and ethnography?
Design seminar is also a time for guest speakers from the industry to come in to discuss these issues and others.
posted at 10:05 AM in
classes, cpid program
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Monday, August 25, 2003
So it beginsToday was the first day of fall semester and, really, the first day of school. Yes, I did CDF in summer session, but today seemed so much more real somehow. Maybe it was that all my classmates were around. Maybe it was the several thousand undergraduates that appeared on campus. And maybe it was just that both professors talked about the experience of CMU and about being in graduate school. Whatever it was, it was an exciting, nerve-wracking day. My first class was Design Seminar I, which is taught by the former head of the design department, Dick Buchanan. It's a rather infamous class, much talked about by alumni and the second-year grad students. And, three minutes into the class, it's not hard to see why. "I'm here," Dick introduced himself, "to change design in the world. I want to change the way design is taught and practiced." Then he turned to my classmate Jennifer Anderson. "Why are you here?" he bluntly asked. Then he went around the room, asking each person in turn. (My answer, in case you care, was that I want to make the world a better place by improving the tools we use.) That done, he talked about the difference between undergraduate and graduate study. Graduate study focuses on themes, connecting (and mastering) a set of facts to create an approach to design practice. Graduate students are expected to become leaders of the industry, able not only to create good designs ("good" being defined by Dick as "well-designed and the right thing to do"), but also to discourse on them. Master's students aren't expected in their theses to contribute something new to the design field, but rather to deepen a theme. It is the doctoral students who are more concerned with inquiry into new design areas and research. Interaction is at the heart of all of CMU's Masters of Design programs, even the new one in Product Development. Something he's obviously going to get into more is that interaction design relates to Poetics (creating emotionally satisfying experiences), while CPID relates to Rhetoric (creating persuasive products). I'd be lying if I told you I knew what that meant right now. The stated goals of the class: - establish a common framework of the concepts of interaction design
- provide a strategic perspective on the community of practice
- find our place in the field of practice
- encourage creativity
Grad students, Dick informed us, can be boring to teach. We have too many things built up inside us that we need to suspend in order to learn. We need to learn how to be inventive. Dick's main goal is "to provide [you with] enough stuff so that you see the world differently."It's ok, he told us, if this is perplexing. Perplexity is a form of wonder. And when wonder occurs, the possibility for creativity emerges. We then discussed the History of Design and the History of Interaction. In the 20th century, there were two great fields of design, graphic (symbols) and industrial (objects). About 40 years ago, the language of design began to change and it started to talk about human systems like environments (actions). Then, recently, design has concerned itself with what holds a system together (thought). These are the Four Orders of Design: symbol, thing, action, thought. New things can happen when you think of something outside its order. For example, a table. A table is not a thing. Think about it as a symbol or an action. ("Ceci n'est pas une pipe"?). I'm guessing we'll get a lot deeper into this as well. Finally, we looked at the following fragment: Interaction is a relationship between in the process of for the purpose of Broken down, this becomes a series of questions: - What is the data we have? What do we look for? What is acceptable data and how do we interpret it?
- What is it between?
- How is the connection established?
- Why? What is its purpose?
And that's where we left off. We have a homework assignment to select any example of interaction design and identify at least three types of data that one could investigate in order to understand or appreciate the design.Reminder: this is all in the first hour and a half of fall semester. Went to the on-campus Indian restaurant with Rob and Phi-Hong Ha, another first-year interaction design student. I like Sree's Indian food from the trucks better, I found. The afternoon class was Graduate Studio, taught by the current head of the design department, Dan Boyarski. Studio is the yin to Seminar's yang. Seminar is mainly reading and discourse. Studio is project based and more nuts-and-bolts. Dan started by saying that if the faculty don't change us, don't make us students different than what we were before we came, they haven't done their jobs. Grad school can be thought of as a retreat. It's not a smooth journey, however. We talked about the need to be flexible: the environment we're working in is constantly changing. Often, part of the designer's job is simply to exercise common sense with clients. Communication is what interaction is. We work with human-to-human communication, filtered through mediums (like computers). It's our job to turn data into meaningful information by providing form and structure to it. We looked at Richard Saul Wurman's ways to organize data: LATCH. Location, alphabetical, time, category, hierachy. One of my classmates, Cheryl Gach, suggested one more: Random. Combining these ways, the information becomes even more meaningful. It's the designer's job to ask the right questions of the data. Our first project for Studio is a self-portrait poster using Wurman's categories as the starting point. Wow, quite a day. It took me an hour and half to get it all down. I can't promise detail like this every day, but today, being the first day, I thought it was special enough to record in detail.
posted at 10:18 PM in
big ideas, classes, classmates, cmu, cpid program, design 101, faculty, projects
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Friday, August 22, 2003
OrientationWe had orientation yesterday, where the design faculty welcomed us, the ninth class to have gone through the Interaction Design program and our sister program, Communication Planning and Information Design. There are 14 of us first-year grads: six ID and eight CPID. Ten women, four men. Orientation was led mainly by Dan Boyarski, head of the Design school, there was a lot of talk about the intensity of CMU and to prepare ourselves for that. He also implored us not to be too hard on ourselves while going through the program: there will be things we're good at and things we'll have to work harder at. And one inspirational message: writing and design together can change the world. We also got to pick our seat in the graduate design studio and were assigned our assistantships. I got the unusual (for me) assistantship of tech support for the Smillie Lab, the new digital imaging lab. I'm also going to be doing a semi-TAship for Bob Swinehart's Corporate Identity class. Refreshments were served. I also managed to crash the HCI program's orientation party last night. Fun fun fun!
posted at 10:34 AM in
assistantships, classmates, cpid program, extracurricular, faculty, hci program, student life
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